Presented by KFAI’s Temposphere
Wednesday, July 24, 2024
6:30 pm Doors // 7:30 pm Music
All Ages
$45 (+taxes/fees) Premium Seating
$35 (+taxes/fees) Preferred Reserved Seating
$25 (+taxes/fees) Advance General Admission // $30 (+taxes/fees) At The Door
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The Parkway celebrates the release of Unbound, the debut album from Bizhiki, the collaborative project of singers Dylan Bizhikiins Jennings and Joe Rainey, and multi-instrumentalist Sean Carey (S. Carey).
Released July 19, 2024 on Jagjaguwar, Unbound is a confluence of sounds bringing traditional and powwow music into an expanded musical palette.
Opening the night is electronic music innovator, Dosh.
Unbound opens with a single, trembling chord that rises and descends before meeting a warm, beguiling voice, a voice singing in a tradition that’s been heard in this northern river country formillennia. The music that follows is a soulful dialogue between the ancient tradition of powwow singing and a contemporary musical palette. On Unbound, the powwow style of singing is entwined with synthesized voice modulation, and hand drumming is accented with electronic samples and beats — the harmonies and resonances are equal parts cultural and musical.
Geographically, Bizhiki is almost wholly a made-in-Wisconsin project, a collaboration between Dylan Bizhikiins Jennings, Joe Rainey, and the multi-instrumentalist Sean Carey (S. Carey), who for years has been a secret weapon within the Bon Iver family.
Bezhikiins Jennings grew up singing within the powwow tradition, around the Lac Du Flambeau and Lac Courte Oreilles reservations in Central Wisconsin. He now makes his home in Northern Wisconsin, on the Bad River reservation on the shores of Lake Superior. He’s joined on the album by his adopted brother, Rainey, a Red Lake Ojibwe powwow singer from Minneapolis who now makes his home within his wife’s Oneida Nation on the shores of Lake Michigan.
The collaboration between these three musicians first began at the Eaux Claires festival in 2015. The festival was being organized on Ojibwe’s ancestral homelands, and the organizers didn’t feel right without the inclusion of the native communities who lived nearby. Bizhikiins Jennings remembers getting an invitation to play the festival and thinking, “I wish more people would say this — that instead of reading from some land acknowledgement, that they would say ‘we're gonna give your people space and just invite you to do what you wanna do.’”
The open-endedness of the initial invitation and the “let’s just do something together” spirit continues to inform Bizhiki’s process. Recording steadily over the course of years — and between several projects from Bizhiki’s members, including two solo albums (Joe Rainey's Niineta and S. Carey's Break Me Open) – the trio chipped away at an expansive, ambitious, and unique record that sounds like no other music being made today.
Unbound is a collaboration between a group of singers and musicians at a particular time and place, exchanging ideas in an open-ended dialogue deeply considering the resources that we’re trying to share, generations into the future.
Martin Dosh has been making independent music out of his basement in Minneapolis, and around the world, for 20 years. He first came to acclaim with his self-titled debut on Anticon in 2003. His live performances are often solo, combining drums, samples, synths, and Rhodes. One of the earliest pioneers of live looping, Dosh continues to record and perform, layering melodies and drones over acoustic and electronic beats. His latest LP, Tomorrow 1972, features Jeff Parker and Dan Bitney (Tortoise), Bird, Mike Lewis (Bon Iver, Happy Apple), Tobacco, The Nunnery, and many others.
