Mason Jennings “Underneath The Roses” Album Release Show
Friday, August 25, 2023
7 pm Doors // 8 pm Music
All Ages
$79 Premium Seating
$59 Preferred Reserved Seating
$39 Advance General Admission Seating // $49 At The Door
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One of Minnesota's most beloved troubadours,
Mason Jennings (and bandmates!) celebrate the release of his highly anticipated new album, Underneath The Roses.
What makes [him] one of the best acoustic-based singer-songwriters you've never heard of, is his ragged, intimate voice and simple ruminations on God, war, hope, and gratitude — Rolling Stone
"I love song craft," says longtime folksinger Mason Jennings, who's spent the bulk of the past 25 years onstage and in the writing room. "A song is like a boat on the water, and you're trying to make it float using as few pieces as you can. If you do it right, a song can be very healing. This album feels that way to me. It's a love letter to songwriting."
He's talking about Real Heart, his fourteenth solo album (2022). Jennings calls it "the unabashed folk record that I have been wanting to make for years," pointing to the project's warm mix of acoustic guitar, unforced vocals, and autobiographical lyrics. At the same time, Real Heart also reaches beyond the genre's boundaries, making room for nuanced layers of horns, strings, and piano. The result is a record that both reclaims and redefines Mason Jennings' role as a leading light in the folk community, with production from Malfunkshun's Regan Hagar and Pearl Jam's Stone Gossard.
The last time we heard from Jennings, he was stretching his legs with Painted Shield, the synth-based supergroup whose self-titled debut album appeared in 2020. Recorded alongside Gossard, drummer Matt Chamberlain, and keyboardist/singer Brittany Davis, the album traded the organic sounds of Jennings' earlier work for something more digital and driving. Fronting a band was a new experience for Jennings, affording him the opportunity to work with new collaborators and genre-crossing arrangements. It also shed new light on his own music.
"Being in that band really freed me up as a solo artist," he explains. "The Painted Shield album was so bombastic that it allowed me up to put my folk hat back on once I began writing these new songs. Real Heart exists within the world of Nick Drake, John Fahey, and the acoustic Led Zeppelin songs that I love so much, with arrangements that often remind me of Tom Waits.. That's the sound of this record, and I didn't worry about bringing in new elements from other genres, just for diversity's sake. I let this music be what it wanted to be."
Real Heart is the sound of a musician easing back into his own skin and making art not only on his own terms, but on his own turf, too. Jennings began recording the album at his lake house outside St. Paul, Minnesota, strumming each song while staring at the water outside. "I live in a house that's all glass windows, and I'd stare at the big lake while tracking these songs," he explains. "I used one microphone and kept everything very basic, and that's a big part of the record's vibe. You can hear the room itself. It's less about performance and pretense, and it's more like we're sitting in a room together, having a conversation. The cover art is a woven wall-hanging that my wife Josie made that is hanging on our lake house wall. That sets the tone: warmth, home, and intimacy."
Songs like "I Feel Loved" and "Tomorrow" return Jennings to the acoustic-driven folk music that launched his career years earlier. Born in Honolulu and raised in Pittsburgh, he released his debut record in 1997, following a pivotal move to Minneapolis. Jennings' contemporary interpretation of a classic sound quickly earned him a number of allies, including fellow musicians like Jack Johnson and Modest Mouse's Isaac Brock, both of whom released his albums on their respective labels. Rolling Stone hailed him as a "Minnesota folk king," while the New York Times asserted that "Mr. Jennings is just waiting to sell millions of records."
A prolific writer, he released studio albums at a steady clip throughout the 2000s and 2010s, flying the flag for American roots music long before the Americana genre received its own category at the Grammy Awards.