The Watson Twins // Seeing Double Tour with special guest Nathan Graham
Wednesday, August 12, 2026
6:30 pm Doors // 7:30 pm Music
All Ages
$45 ($55.38 w. taxes/fees) Premium Seating
$35 ($43.85 w. taxes/fees) Preferred Reserved Seating
$25 ($32.30 w. taxes/fees) Advance General Admission
$30 ($35 w. taxes/fees) At The Door General Admission
Ticket purchases are final and non-refundable
For two decades, The Watson Twins' entwined voices have taken them across the world. They double down on those road-warrior roots with Seeing Double, a live record that captures the critically-acclaimed duo onstage in their adopted hometown of East Nashville, backed by an amplified band and their own southern songwriting.
Soul & blues sensation Nathan Graham makes a special guest appearance opening the night!
For a group whose songs have helped shape the sound of modern-day American roots music, Seeing Double gives The Watson Twins an opportunity to showcase the full range of their catalog. The album's career-spanning track list features material from five of The Watson Twins' releases, including Southern Manners EP (2005), Fire Songs (2008), Talking To You, Talking To Me (2010), DUO (2018), and HOLLER (2023). There are honky-tonk songs, vintage-sounding country ballads, high-spirited soul standouts, and contemporary Americana anthems, all fueled by the identical sisters' close harmonies and laced with contributions from bandmates Russ Pollard (Everest, Sebadoh), Steven Cooper (Nicole Atkins, Patrick Sweeney), Thayer Sarrano (Of Montreal, Cracker) and Ryan Williams (The Native Sibling, Grizfolk). Butch Walker, the multi-platinum songwriter who produced HOLLER, also makes an appearance, joining the band on standout performances of "Never Be Another You" and "Sissy Said."
Years earlier, when The Watson Twins recorded HOLLER at Walker's Nashville studio, they did so in a series of live takes. It was a move that captured the spirit and spontaneity of their concerts in real time, with the sisters even tracking their vocals simultaneously, both singers standing within arm's length of one another and matching their vowel sounds while the tape rolled. Perhaps that's why Seeing Double feels so effortlessly natural, highlighting The Watson Twins' skills not only as sharp songwriters and stunning singers, but as live performers, too.
During Seeing Double's cover of The Cure's 1980s classic "Just Like Heaven," The Watson Twins show themselves to be interpreters, too. Their studio version of the song was released in 2008 and earned accolades from outlets like American Songwriter UK, who dubbed it "a sweet, gentle, and notably different approach to the gothic rock love song." On Seeing Double, Chandra and Leigh channel all the bliss and contentment of the song's title into a performance that's filled with harmonies, harmonica, and plenty of heart.
When you think of a singer-songwriter, who comes to mind? Nathan says it probably isn’t somebody who looks like he does, and he wants to change that.
Born and raised in Chicago, Graham meshes South Side Blues with Nashville Americana, beginning his career backing blues singers at famous haunts like Buddy Guy’s Legends and Kingston Mines. He spent a decade as a guitar-for-hire before picking up a mic to tell his own stories on the stage. Soulful and steady, Graham’s music offers a raw introspective of the human condition that’s both painful and comforting. His guitar conveys heartbreak, lyrics tell stories of regret, but his rich vocal delivery offers the remedy.
Having brought his songs on international tours with both major label and indie acts, Graham is challenging the notion of what it means to be a singer-songwriter. He’s driving inclusivity within the genre, and he hopes to evoke a sense of understanding in the process.
“I’m writing about universal experiences,” he says. “I’m writing music to connect my story to yours, show you all that we have in common, and maybe help both of us feel less alone.”
Stellar debut…[Graham] manages to blend Soul, Rock, and Americana into an irresistible sound… This is a record that’s begging to be heard live.” — GLIDE“A powerhouse singer with a deep drive to connect, the Chicago-born-and-raised Graham tenderly wraps his fears and anxieties in velvety arrangements infused with a wide range of influences from rock and folk to soul and blues.” — NO DEPRESSION