After nearly a decade exploring different facets of the African diaspora — and his own place within it — Ephraim Asili makes his feature-length debut with The Inheritance, an astonishing ensemble work set almost entirely within a West Philadelphia house where a community of young, Black artists and activists form a collective.

Earth's richest people have fled into space. This speculative documentary focuses on the lower classes who are left behind.

A SHAPE OF THINGS TO COME is a borderlands Western that follows Sundog, an eccentric recluse who lives off the land in the Sonoran Desert.

Filmmaker Rodney Ascher dives down the rabbit hole of science and philosophy to examine the theory that humans live in a simulation and the world as people know it is not real.

Filmmaker Lance Oppenheim cracks the manicured facade of The Villages -- a massive, self-contained retirement community located in Central Florida. Behind the gates of this utopia lie a small group of Villages residents and one interloper who are unable to find happiness within the community's pre-packaged paradise.

Mayor is a 2020 American documentary film produced and directed by David Osit. The film follows Musa Hadid, the mayor of Ramallah, the de facto capital of Palestine, for two years.

A celebration of Irish punk poet Shane MacGowan, composer and lead singer with The Pogues, combining unpublished archive footage and family footage with animation.

An in-depth look into the life and work of musician Frank Zappa.

A New Digital Restoration! An unsentimental elegy to the American West, Sweetgrass follows the last modern-day cowboys to lead their flocks of sheep up into Montana’s breathtaking and often dangerous Absaroka-Beartooth mountains for summer pasture. This astonishingly beautiful yet unsparing film reveals a world in which nature and culture, animals and humans, vulnerability and violence are all intimately meshed.

An inside look at the legal battles that lawyers for the American Civil Liberties Union are facing during the Trump administration.

Using interviews and rare archival footage, this CNN Films' documentary chronicles the late Congressman's 60-plus years of social activism and legislative action on civil rights, voting rights, gun control, health-care reform and immigration.

WE ARE MANY is the never-before-told story of the largest demonstration in human history, and how the movement created by a small band of activists changed the world. This fearless, thought-provoking documentary is the remarkable inside story behind the first ever global demonstration, and its surprising and unreported legacy.

Two women become caught up in a multimillion dollar art scam.

Winner of the first-ever Library of Congress / Lavine/Ken Burns Prize for Film, Flannery is the lyrical, intimate exploration of the life and work of author Flannery O’Connor, whose distinctive Southern Gothic style

Told in Bill Cunningham’s own words from a recently unearthed six-hour 1994 interview, the iconic street photographer and fashion historian chronicles, in his customarily cheerful and plainspoken manner, moonlighting as a milliner in France during the Korean War, his unique relationship with First Lady Jackie Kennedy, his four decades at The New York Times and his democratic view of fashion and society. Narrated by Sarah Jessica Parker, The Times of Bill Cunningham features incredible photographs chosen from over 3 million previously unpublicized images and documents from Cunningham.

Antiquarian booksellers are part scholar, part detective and part businessperson, and their personalities and knowledge are as broad as the material they handle. They also play an underappreciated yet essential role in preserving history. THE BOOKSELLERS takes viewers inside their small but fascinating world, populated by an assortment of obsessives, intellects, eccentrics and dreamers.

Other Music was an influential and uncompromising New York City record store that was vital to the city’s early 2000s indie music scene. But when the store is forced to close its doors due to rent increases, the homogenization of urban culture, and the shift from CDs to downloadable and streaming music, a cultural landmark is lost. Through vibrant storytelling, the documentary captures the record store’s vital role in the musical and cultural life of the city, and highlights the artists whose careers it helped launch including Vampire Weekend, Animal Collective, Interpol, Yeah Yeah Yeahs, William Basinski, Neutral Milk Hotel, Sharon Van Etten, Yo La Tengo and TV On The Radio. 

A complex portrait of a city and its inhabitants, The Hottest August gives us a window into the collective consciousness of the present. The film’s point of departure is one city over one month: New York City, including its outer boroughs, during August 2017. It’s a month heavy with the tension of a new President, growing anxiety over everything from rising rents to marching white nationalists, and unrelenting news of either wildfires or hurricanes on every coast. The film pivots on the question of futurity: what does the future look like from where we are standing? And what if we are not all standing in the same place? The Hottest August offers a mirror onto a society on the verge of catastrophe, registering the anxieties, distractions, and survival strategies that preoccupy ordinary lives.

Hilma af Klint was an abstract artist before the term existed, a visionary, trailblazing figure who, inspired by spiritualism, modern science, and the riches of the natural world around her, began in 1906 to reel out a series of huge, colorful, sensual, strange works without precedent in painting. The subject of a recent smash retrospective at the Guggenheim Museum, af Klint was for years an all-but-forgotten figure in art historical discourse, before her long-delayed rediscovery. Director Halina Dryschka’s dazzling, course correcting documentary describes not only the life and craft of af Klint, but also the process of her mischaracterization and erasure by both a patriarchal narrative of artistic progress and capitalistic determination of artistic value.

In the early seventies, the world was watching as Chile democratically elected Socialist leader Salvador Allende. His political ideals and aspirations—among them providing education for all children and distributing land to the nation’s workers—terrified the country’s right-wing, as well as the U.S., who helped orchestrate a military coup that replaced him with dictator Augusto Pinochet. This tragic history has been well documented, but Italian director Nanni Moretti (Caro Diario, Ecce Bombo, The Son's room, We have a pope) adds an angle many viewers may not know about: the efforts of the Italian Embassy to save and relocate citizens targeted by the Fascist regime. Told through the testimonies of those who were there, Santiago, Italia is a chilling depiction of living under junta rule and an ultimately inspiring expression of hope amidst dire circumstances.